Described by Piero Rattalino as “a force of nature, vast and palpitating”, his playing is highly original, striving to recreate the original impact of the works he is playing: “he takes us back to the Golden Age of the Piano” wrote Le Monde. Giovanni Bellucci is one of the most interesting and extraordinary pianists of today. Not only he “plays all the notes” but he is able to recreate the grandeur, drama, lyricism and intimacy of the original, presenting a monument made up of countless details. It takes a pianist of near superhuman powers and virtuosity to do justice to these scores. The work of a true genius these transcriptions reveal the essential language and message of Beethoven, written down in pianism of the highest quality and difficulty, in this sense still valuable today. In transcribing the 9 Beethoven symphonies for piano solo Franz Liszt (1811-1886) not only made these symphonic masterworks available for domestic use but also demonstrated his immense creativity, insight, knowledge and pianistic resources. ‘In completing the project,’ Bellucci remarks, ‘I would like to borrow Franz Liszt’s words and make them mine, albeit just for a moment: ‘The piano is, for me, what the frigate is for the sailor, indeed, perhaps even more, because the piano is my word, is my life.’ Other studio sessions have taken place in the famous Salle de Musique at La Chaux de Fonds in Switzerland, between 20. The cycle reaches its climax with the Ninth, recorded live at the 2014 Lisztomania Festival in France, with the participation of the Czech Philharmonic Choir of Brno and soloists Hana Škarková, Lucie Hilscherová, Michal Lehotský and Martin Gurbal. Taking broad tempi and probing deeply into textures which, after all, condense the soundworld of an entire orchestra into the span of ten fingers, Bellucci presents an individual and compelling new vision of works which renew themselves at the hands of each new generation’s interpreters. Thus in these performances, Bellucci seeks a kind of fidelity to the Romantic age of the transcriptions rather than the Classical age of the original works.
Here, the symphonic world of Beethoven is not merely experienced as a distant echo but translated into the idiom of the virtuoso piano which swept across Europe during the latter half of the 19th century, led by Liszt and Clara Schumann. Liszt’s transcriptions diverged from the ready-made arrangements which publishers rapidly produced and reprinted to meet the demands of amateur and domestic audiences. AudioQuest DragonFly : USB Digital to Analog Converter, up to 96kHz/24-bit.Issued complete for the first time, a new recording of Franz Liszt’s iconic piano transcriptions of the nine Beethoven symphonies.Īs the Italian pianist Giovanni Bellucci remarks in an extensive booklet introduction, this album is the fruit of study over the past 20 years and more, into the worlds of both Beethoven and Liszt and their meeting point in these transcriptions where the Hungarian composer sought to honour his forebear as the original leader of an artistic movement we now think of as Romanticism, where the composer places himself at the front and centre of his works.Meridian Explorer : USB Digital to Analog Converter, up to 192kHz/24-bit.
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